Archive for Macro

Photography 101: Macro for Beginners

I love macro photography. In a world that continues to get larger, it is wonderful to look at the same surroundings on a much smaller scale. However, viewing the world through tiny eyes does bring on its own challenges outside correct exposure, white balance, and battery life. So, if you are like me and want to see this tiny world, read on!

The first thing you will want to invest in is a good tripod. I have boasted the benefits of tripods before, but a key feature you want to make sure your tripod can handle is getting close to the ground. The reason this is the first item you want to buy is that any movement from yourself, or the subject, is ultimately going to lead to noticeable blur in your photo. It will help if you can find one that allows you to mount your camera on the bottom, the legs fold out wide, and yet provides you a sturdy base for all your work. A good tripod of any kind is well worth the investment!

The next item you want to start considering is a macro lens. Every camera brand comes with a nice range of options here, however this is where you need to sit down and do some thinking. The most important item to consider is what you expect to shoot up close. There is a big difference when it comes to shooting a deadly spider or photographing spare pocket change. Knowing this will help you determine if you can get by with something like a 60mm macro lens, or if you will need a 200mm to put as much distance between you and the eight legged death dealer. Both lenses maybe great, but understanding the nuances of what you want to capture is going to help you budget planning.

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Tying The Knot: The Fantastic Four Superhero Lenses For Weddings

One of my favorite pub debates with the boys is the classic “if you could have one superpower, what would it be?”. I’ve also tried this on first dates but the conversation never lasts very long (and nor do the dates for some reason…).

However, after hours of exhaustive analysis and comparisons, what always seems clear is that it’s better to have one kick-ass superpower than multiple skills. After all, who really likes Superman right?! And a collection of superheroes each with unique skills, such as the Fantastic Four, is pretty much invincible!

Anyway, back to wedding photography and it’s a similar story with lens selection. I outlined in a previous post how wedding photography requires knowledge of a number of photographic genres e.g. portrait, macro, landscape. Well, for each of those genres there are specific types of lenses which will help you to get the best results, and at a deeper level there are then usually choices between primes and telephotos. That’s a massive discussion point in itself, but for now it’s important to remember that shooting a wedding is not the same as shooting in a studio. I LOVE super fast prime lenses but I need to be practical about how many lenses I can carry around so I don’t turn up to a wedding looking like a lost safari photographer!

My current solution is a set of 4 lenses comprising two primes and two telephotos. It took me about a year of intense research, trial and deliberation to assemble this Fantastic Four as I wanted to ensure that any lens I invested (a not insignificant amount of $$) in would have a specific mission and deliver a particular type of shot that complements my documentary style of storytelling. I’m also keen to avoid lens “stuffocation” i.e. having so many lenses that you can’t make up your mind which one to use!

I’m not going to get into any technical jargon in this post because that’s not why you’re here. Rather my aim is to give you a feel for what my lenses accomplish and the types of shots you can get with them, so that hopefully you can make more informed decisions about your own lens selection. Read More→

Three New Lenses From Canon, One Featuring Hybrid Image Stabilization

CANON-LOGOCANON-LENS-GROUPSep 13, 2009 – Canon introduced three new lenses last week. The EF 100mm f/2.8L Macro IS USM lens is a great multipurpose lens for capturing sharp close-up images of small objects as well as beautiful portrait-length telephoto shots. This lens incorporates Canon’s new Hybrid IS which compensates for both angular camera shake and shift camera shake, problems that become more apparent as magnification increases. Shift camera shake is rarely noticeable when shooting outside the macro realm, such as landscape photography. But when shooting extreme close-ups, even the slightest amount of angular or shift camera shake can adversely affect image quality. The Hybrid IS lens includes an acceleration sensor in addition to the conventional angular velocity sensor, and together work to compensate for the two types of shift giving a much sharper image. This lens will be available at the end of September for an estimated price of $1,049.

The second Canon lens introduced is the  EF-S 15-85mm f/3.5-5.6 IS USM. This is an ideal multipurpose wide-angle zoom lens for the photographer shooting a wedding or exotic vacation. The zoom range is equivalent to 24-136mm on a full-frame camera and when coupled with the new 7D, provides videographers with a phenomenal focal range for wide-angle scenic footage and zoomed in telephoto shots. Canon has scheduled this lens to be available in late October for an estimated price of $799.99.

The third lens is the EF-S 18-135mm f/3.5-5.6 IS. This is the perfect Image Stabilized lens for the advanced shooter looking for a wide-angle zoom lens with telephoto capabilities. On a full-frame camera this lens is equivalent to 29-216mm. Look for this lens at the end of September for an estimated price of $499.99.

PRESS RELEASE

Canon U.S.A. Introduces Three New EF and EF-S Lenses, including The First Camera Lens Featuring Hybrid Image Stabilization

Introducing the EF 100mm f/2.8L Macro IS USM, EF-S 15-85mm f/3.5-5.6 IS USM, and EF-S 18-135mm f/3.5-5.6 IS Lenses

Lake Success, N.Y., September 1, 2009 – Canon U.S.A., Inc., a leader in digital imaging, continues its advancement of EOS lens technology with the introduction of three new EF and EF-S lenses – EF 100mm f/2.8L Macro IS USM, EF-S 15-85mm f/3.5-5.6 IS USM and the EF-S 18-135mm f/3.5-5.6 IS, lenses. The new EF 100mm f/2.8L Macro IS lens is the world’s first camera lens featuring Canon’s new Hybrid Image Stabilization (Hybrid IS) technology*, compensating for both angle camera shake and shift camera shake, up to four shutter speed steps. The EF 100mm f/2.8L Macro IS USM lens is compatible with all EOS cameras, while the EF-S 15-85mm and EF-S 18-135mm zoom lenses are designed specifically for Canon digital cameras that are compatible with EF-S lenses.** Read More→