Archive for Make Better Photographs – Page 13

A Photographer’s Diary, Civic Duties

I suddenly had a wonderful rocket of inspiration this week as I was thinking about locations for Healing with Photography courses. Why not use civic and town halls?

So this week I have been busily setting up appointments and viewing the facilities in my local towns. The great thing about them is if you are looking for a location to do seminars or courses for your business, they are all fully set up with facilities.

A Step Back in Time

Given that this week winter has returned once more, it made me think about those important things like making sure heaters are working in the rooms I will be hiring. The rooms usually come with kitchens of some description nearby or attached, meaning you can have tea and coffee available to your participants, and of course there are clean toilets available. The majority have the all-important car park or are on bus routes. For sure, they aren’t completely set up in a business way in terms of projectors and screens, yet what they lack they can make up for in many other ways. Read More→

The Importance Of Wedding Preparation Photography Part 1

So often in wedding photography we tend to overlook some of the smaller events of the day. Whether it be the grooms preparation because we only have one photographer or maybe the departing shots of the couple because of contract time limitations. All of the events of the day are important and for a bride and groom trying to remember specific moments of the day later in life can be difficult. There is so much emotion, so many family and friends to meet and talk to, so many places to be and schedules to follow that they tend to lose focus of the minor moments and they become erased from memory. I myself think back now and have a very vague recollection of preparing for my own wedding, what I was doing immediately before the wedding, and a lot of the reception is fuzzy and not because of any alcohol. There is just so much to focus on that you tend to just remember the big ticket items of the day.

This is where you as a wedding photographer get to play the superhero. It is your job to capture these fleeting moments in time so that you clients can relive these nearly forgotten memories in a way maybe they didn’t recall. Read More→

A Photographer’s Diary, The Circles of Life

This week has all been about becoming more aware of things going on around me and how I’m the one responsible for drawing them in. When you really start to become aware of synchronicity in your life, and you see things lining up this is all good. Synchronicity is what some people call coincidences. When maybe a film we have thought about suddenly appears in the television schedules or someone mentions in passing something that we have been thinking about finding out more about; these are all examples of synchronicity.

Millpool of life

Also it’s been a case of people being in the right place to deliver a message, that I was ready to hear, that I knew all about yet I had never bothered to take action on and implement into my life.

I’ve been studying the book ‘The Success Principles’ by business coach Jack Canfield’ and I’ve had it with me as I’ve been away for a few days this week. Another book I had with me is one that a self-help coach had recommended, in one of her newsletters, by Florence Scovel Shinn. It’s very much about the law of attraction; she was perhaps one of the first people in America in the early 1900’s to start writing about how life works. For me she is quite an obscure author, not at all mainstream. Read More→

Scenic Outlook – Monochrome

Landscape photography in colour is a truly beautiful thing, the pink and purple hues of dawn, a red sunset or a blue sky above a golden sandy beach, colour can really make an image pop. However, sometimes colour can become a bit of a distraction or perhaps it may be that there isn’t enough colour in the scene to make it exciting for the viewer. For example, red is a very strong colour and say you’re taking a shot of a nice blue car but there is a person in the background wearing a red coat, your eye is naturally drawn to the red coat thus taking away from the car of which you were trying to make the main feature.

Not every scene will benefit from being presented in monochrome and in a lot of cases a picture can become too cluttered with the viewer not being a clear indication of where to look. So it’s time to train your brain into seeing in black and white even though we see in colour. The key to achieving a more successful mono image is to simply view the scene in terms of shape and contrast. It’s the same compositional idea that drives all photography and knowledge of basic composition ideas will give you a big head start. Look for bold objects such as a large boulder in the countryside or a fence that you can use to lead the viewer through the scene, or look for things that are in contrast to their surroundings. Lets take the image above as an example; the wood posts are virtually in silhouette against the overcast sky and bright water, so by placing the camera where I could see them arranged in a line I produced a simple yet striking composition, and with the sky being mostly overcast there was very little in terms of colour so the obvious thing was to remove it. Read More→

A Photographer’s Diary, The Silent Attractor

As we wander around with our cameras round our necks or you’re your shoulders or in a bag, though most prominently when it’s on display, we find, or certainly I do; that just by simply carrying a camera, it’s like you’ve got a magnet to other photographers with cameras who will smile and strike up a conversation. We carry with us this silent attractor which allows us to start conversations with anyone and more particularly with people who have an interest in photography or our fellow photographers’.

A Long Walk

I think it’s a lovely thing that we carry this symbol around with us that attracts other people in to have conversations that leads who knows where. Just last week I was doing a photography shoot in a coastal town for overlays for the meditations on Healing with Photography video courses. It was a beautiful sunny cold day, those lovely winter days that you get. I was busy taking pictures and wherever I looked in this pretty and very much deserted town of tourists, people on the pier turned smiled and looked to speak, say hello and pass the time of day. Read More→

Every Once In A While We Need A Reminder

I was reminded recently why I became a wedding photographer. Not long ago I was visiting one of my wedding clients, dropping off an album from their wedding, when they invited me in to view a wall they had decorated in the house they recently bought just before their wedding. I walked in, turned the corner, and was amazed at what I saw. They had decorated the entire wall with photos from their wedding, engagement, and bridal sessions. All of the photos on the wall were photos that I had taken for them.

It touched me in a way I hadn’t realized before. Seeing how they placed the images I captured in such a prominent way in their home, it made me realize that wedding photography involves much more than just photographing the couples day. What we do lasts their lifetime. To know that the art I create is cherished so much by the people that hire me humbled me. The gift we have as photographers to create art or to “paint with our lens” (like I like to say) touches our client’s emotions. We capture their memories, their most precious moments, on film for them to cherish and enjoy for years to come. As wedding photographers we are able to touch people’s lives in a way that few others can and it is a great responsibility that we should not take lightly. Read More→