Archive for B&W

Scenic Outlook – Monochrome

Landscape photography in colour is a truly beautiful thing, the pink and purple hues of dawn, a red sunset or a blue sky above a golden sandy beach, colour can really make an image pop. However, sometimes colour can become a bit of a distraction or perhaps it may be that there isn’t enough colour in the scene to make it exciting for the viewer. For example, red is a very strong colour and say you’re taking a shot of a nice blue car but there is a person in the background wearing a red coat, your eye is naturally drawn to the red coat thus taking away from the car of which you were trying to make the main feature.

Not every scene will benefit from being presented in monochrome and in a lot of cases a picture can become too cluttered with the viewer not being a clear indication of where to look. So it’s time to train your brain into seeing in black and white even though we see in colour. The key to achieving a more successful mono image is to simply view the scene in terms of shape and contrast. It’s the same compositional idea that drives all photography and knowledge of basic composition ideas will give you a big head start. Look for bold objects such as a large boulder in the countryside or a fence that you can use to lead the viewer through the scene, or look for things that are in contrast to their surroundings. Lets take the image above as an example; the wood posts are virtually in silhouette against the overcast sky and bright water, so by placing the camera where I could see them arranged in a line I produced a simple yet striking composition, and with the sky being mostly overcast there was very little in terms of colour so the obvious thing was to remove it. Read More→

Photography Without Labels

When Trevor asked me to contribute Cityscape and Landscape articles to the site last year I was honored. 2010 was a great learning year for me and in 2011, I’ve been able to reflect on all of my hard work for the past 365 days.  Honoring the gems and realizing my mistakes, It’s allowed me to focus on this new year with a new mind frame.  One thing I decided to remove is the word “scape” from my categories of work. I prefer to use the terms “City” & “Land”.  For me this broadens the subject matter for which I can write about, because recently I’ve been shooting a lot of different subject matter when it comes to city and land photography.  When I think of the word “scape”, I think of skyline shots, and sunsets over the ocean, but in fact city and land photography is so much more than that. In my recent adventures I’ve found ways to produce city and land images together, like the examples below.


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Cityscapes: Change Your Glass

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For the last year or so I’ve shot many cityscape images. From wide angle to telephoto zoom, to 35mm prime. I tend to always carry every lens with me in my bag while out on a shoot. I admit I’m more dominant with my 10-24mm wide angle than any of the others, but’s it’s important to change lenses. Read More→

City & Land : Black & White

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Black & white photography, is a fairly new medium for me.  I knew I wanted to incorporate it into my workflow, but I didn’t know how.  I think shooting B&W has it’s place, and lately I have found some interesting ways to work with it. One of the tools I think is a must have for any photographer, is the ND filter. I swear by the B+W brand, and am addicted to the ND 10 stop filter.  During the day it’s an amazing tool, and 75% or more of the time I will convert these images to B&W.  If there are heavy clouds and moving elements, it will give you an incredible effect.

You can view my article on CurrentPhotographer.com called “Black Glass 101” to better understand this filter. Read More→