Archive for ISO

Photography 101: Three Tips for Shooting in the Dark Without a Tripod

Shooting in the dark not only brings its own set of unique challenges for the photographer, but the final results of these challenges can be extremely pleasing to look at. Slower shutter speeds due to low light bring on great light-trails, light painting, creative subject lighting techniques, and so much more.

However, having a sturdy tripod is key to many of these techniques. So what do you do if you do not have a tripod on hand to shoot in a low light situation? A few ways to rectify this situation include:

1. Crank up the ISO on your camera. Turning up the ISO on your camera is the first thing you can do to compensate for the lack of light. Bumping up the ISO setting allows your camera sensor to take in more of the available light, thus allowing for faster shutter speeds and smaller apertures. This makes it easier to reduce, if not eliminate, all signs of camera shake in your end photos.

Turning this setting up does come with a bit of caution. The higher you set your ISO, the more noise you will end up with. Cameras continue to get better at reducing the amount of noise at high ISO settings, but it is not perfect. This is particularly noticeable if you are producing an HDR image as the graininess really comes out when you stack multiple exposures. Do some test shots to see what acceptable ISO levels you have on your camera.

If you want that extra bit of light, try opening up your aperture a bit. This may give you a shallower depth of field, but it can sometimes mean the difference in upping your ISO setting just one more notch. This is a preference that you can only determine through testing various combinations and evaluating the end results. Read More→

Photography 101: Three Tips For Sharper Images

I received a question via a comment asking about how to get sharper images. I want to address that question now with a few tips that you can easily do without breaking the bank. Let us get on with the show!

1. Get stabilized
One easy way to get sharper images is to remove the human element from the camera. What I mean is you need to stop holding the camera. Camera shake can quickly kill sharpness, even with the best lens stabilization/vibration reduction systems. This is where so many photographers swear by good tripods. However, what do you do if you do not like having to lug a tripod everywhere you go?

I am one of those in hand, natural light shooters. I do not mind using a tripod; it is just not my preferred method of capturing images. I use my environment as my tripod. Find a flat rock, use a board, or even rest your camera on a rail. What you want to do is get as stable as you possibly can, while keeping yourself and gear safe. I will not recommend resting your camera on a rail, setting the self-timer, and running off. That is just asking for broken gear. What I will do is rest the camera body on a rail, while I hold it to take the photo. This removes my body sway, breathing, and some of my arm shake from the equation.

Another way to remove yourself is to use a remote. If your camera does not have a remote, use the self-timer. This setup is only enhanced when using a good tripod. You can get your camera into position, dial in your settings, and then trigger the shutter without ever having to hold the camera. Read More→

Finding Your Feet: The Special Three: by Jacob Lucas

Thanks for diving into this third part in my “Finding Your Feet” series. In case you need a re-cap,

– Part One: Getting Started In Photography
– Part Two: Choosing Your Camera

This post is going to cover three crucial camera settings that you’ll need to know to start photographing effectively to meet your vision. Often referred to as the exposure triangle, these settings are ISO, Aperture, and Shutter Speed. At first glance, they appear quite technical but once I took the time to read about them and understand them they actually became almost second nature to me – just like breathing or blinking. These three settings relate to one another very much in an almost symbiotic circle – what happens to one impacts the other in some fashion.

JFL_4687

ISO 200, f/2, 1/250th of a second

Read More→

Photography 101: ISO With A Side Of Light

We are finally onto the last, and hopefully easiest, part of the exposure triangle. By now, you have played with shutter speeds and fiddled with aperture settings. One last building block is still missing from all of this. That building block is your camera’s ISO setting.

ISO (or International Standards Organization) is how we control cameras sensitivity to light. This is the equivalent of film speed, but without the need to lug around six different rolls of film for shooting in various lighting conditions. I know that in prior articles I have used light and detail as interchangeable terms. For this article, light will stick to meaning brightness.

ISO has a wide range of values depending on your camera, what the manufacturer is capable of producing, and the demand for higher ISO settings. Common ISO numbers range from ISO 100 to ISO 6400, but these are just common settings and not the full gamut of ISO setting available on the market. What does this range have to do with you, and ultimately the exposure triangle? Well, quite a bit actually.

Let us say you set your camera to an ISO of 100. This is common for a fair amount of photographers when shooting in bright light, outdoors, and other brightly lit conditions. An ISO of 100 means your camera sensor is not super sensitive to light. Think of ISO 100 has having sunglasses on you camera sensor. It takes in light, but it is not sucking in copious amounts of light. Setting a low ISO means we can now use larger apertures, or slightly slower shutter speeds as we have the camera sensor set to a low light sensitivity.

An example for using a low ISO is shooting during the middle of the day while the sun is brightly shinning. There is so much light flooding your scene that you will want to take in detail before the light over exposes the scene. Setting an ISO of 100 makes it so the sensor does not become overwhelmed by light before the detail can take hold.

Example photo: This is shot in the late morning hours when the sun was bright. A low ISO allows for more detail to come through before the light causes over exposure:

Shutter: 1/180
Aperture: f/11
ISO: 200
White Balance: Daylight Preset

Read More→