Archive for Wedding Photography – Page 6

Tying The Knot: Knowing Your Style And How Bruce Lee Would Define Mine

“My style? You can call it the art of fighting without fighting”. Cool huh? That was how one of my movie idols Bruce Lee very eloquently described his style of martial arts in Enter The Dragon.

Alas I can’t describe my style of wedding photography quite as philosophically. Call me pessimistic but I don’t think “The art of wedding photography without wedding photography” is likely to win me much business!

But as we know, having a style is crucially important. As photographers it helps us to define who we are, what we stand for, and what drives us. And it helps our clients to identify and differentiate us from other photographers. So knowing your style is a fundamental building block for your new wedding photography business and it’s certainly something that I’m refining all the time as an emerging pro.

But how do you know what your style is? Is it the way you visualise, shoot and edit? Or do you go down the Bruce Lee path and consider what you don’t do as much as what you’re good at? Or is it a combination of all of the above? And if you think you know what your style is, how defined is it?

Try writing it down. Just three words will do. Oh you’re struggling? Tricky isn’t it?! Well fortunately if you want to be a wedding photographer you have three starting points already set up for you.

Brides inevitably turn to wedding magazines or websites for tips, advice and research. After all, it’s their first time being a bride (well, for most of them anyway!). Plus it’s quite possibly the first time they’ve had to hire a professional photographer and so their level of knowledge of photographic jargon is likely to be pretty low. Therefore photography advice sections of these resources aim to make things simple and so they generally use three terms to describe the main styles of wedding photography brides should consider: photojournalistic, traditional, and contemporary (or words to those effects). Consequently these are the terms that your clients are likely to search for or enquire about when they contact you, and hence you should strongly consider aligning yourself with one of these styles to match their requirements. Read More→

Tying The Knot: The Fantastic Four Superhero Lenses For Weddings

One of my favorite pub debates with the boys is the classic “if you could have one superpower, what would it be?”. I’ve also tried this on first dates but the conversation never lasts very long (and nor do the dates for some reason…).

However, after hours of exhaustive analysis and comparisons, what always seems clear is that it’s better to have one kick-ass superpower than multiple skills. After all, who really likes Superman right?! And a collection of superheroes each with unique skills, such as the Fantastic Four, is pretty much invincible!

Anyway, back to wedding photography and it’s a similar story with lens selection. I outlined in a previous post how wedding photography requires knowledge of a number of photographic genres e.g. portrait, macro, landscape. Well, for each of those genres there are specific types of lenses which will help you to get the best results, and at a deeper level there are then usually choices between primes and telephotos. That’s a massive discussion point in itself, but for now it’s important to remember that shooting a wedding is not the same as shooting in a studio. I LOVE super fast prime lenses but I need to be practical about how many lenses I can carry around so I don’t turn up to a wedding looking like a lost safari photographer!

My current solution is a set of 4 lenses comprising two primes and two telephotos. It took me about a year of intense research, trial and deliberation to assemble this Fantastic Four as I wanted to ensure that any lens I invested (a not insignificant amount of $$) in would have a specific mission and deliver a particular type of shot that complements my documentary style of storytelling. I’m also keen to avoid lens “stuffocation” i.e. having so many lenses that you can’t make up your mind which one to use!

I’m not going to get into any technical jargon in this post because that’s not why you’re here. Rather my aim is to give you a feel for what my lenses accomplish and the types of shots you can get with them, so that hopefully you can make more informed decisions about your own lens selection. Read More→

Marketing Campaigns for Photographers – Wedding Venues: Part 1

This is the tenth in our series looking at different marketing campaigns for photographers.

Also in this series:

Marketing Campaigns for Photographers #10 Wedding Venues (Part 1)

9 out of 10 times the first thing any couple looking to get married will search for is the venue. It’s become harder and harder to become a recommended photographer in many venues especially if you’re new to an area or in fact the wedding industry. Read More→

Tying The Knot: The Wax On, Wax Off of Wedding Photography

If you want to shoot weddings the best way to start is to become a second shooter, right? But is that really all it takes? You bring your camera to a wedding, stay out of the way of the pro, take  a few nice candid shots of the guests and voila, you’re a wedding photographer! Nah, that’s not the best way.

Ok, I’m not saying it can’t happen like that, but those few shots you take would have to be pretty special for someone to entrust you with their most special day and lots of their hard earned cash. Second shooting is definitely invaluable for building experience; all I’m saying is don’t rely solely on being a dictionary-definition second shooter. Instead you should first aim to be as good as the pro and then second shoot like a pro to make your images much more marketable. So how do you do this with no wedding experience?

Let’s travel back to 1984 and take a look at one of my favourite movies: The Karate Kid. Apart from having one of the best soundtracks of the 80s, it also teaches a simple but important lesson: hard work and preparation pays off.

When Daniel-san spends hour after hour, day after day waxing cars, painting fences and sanding floors he doesn’t see how it’s supposed to prepare him for the impending All Valley Karate Championship. Instead he wants to learn the glamorous rapid punches and spin kicks he sees in the dojo and thinks that copying the routines in his karate text books will turn him into a black belt.

We know, of course, that all those seemingly unrelated tasks actually disciplined Daniel-san in exactly the skills he needed; he just didn’t realise it at the time. Read More→

Tying The Knot: Introducing Milton Gan, Wedding Photographer

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Hey there, I’m Milton and I’m a wedding photographer based in beautiful Bondi Beach in Sydney, Australia. I also shoot babies in my spare time (will that ever sound correct?!).

I never intended to become a photographer, so you’re not about to hear about how I picked up my first camera at 9 months and was processing my own film by the time I was two.

I also used to hate weddings to be honest. But bear in mind that I was born in the 70s – yeah you know what I’m talking about! Bad outfits, bad haircuts, and bad photos!

The 80s weren’t much better but then came the 90s and one particular film which changed my perception of tying the knot: Four Weddings And A Funeral. Read More→

zookie pro Takes the “Work” Out of Your Wedding Photography Workflow

zookie pro Logo

Jan 13, 2011 – Zookbinders, one of North America’s premier album manufacturers has created a new service called zookie pro. It’s a complete album design, print and bind service that is the ultimate hands-free workflow solution for photographers. zookie pro creates high-quality, beautifully designed albums for your clients while providing convenience and extra income for you.

zookie pro Collection

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