Archive for film

A Photographer’s Diary, Going Back to Film

I recently returned to film for the children’s career day that I worked at. When I say film, it was a disposable camera, which, and this may surprise you, turned out to be of poor quality!

It was strange to be working with film again, suddenly having to remember the vagaries of use and with these cameras, winding the film on.

That in itself was a new concept for the 11 year old children. Most had never experienced film before and held the camera, high in front of them, pointing at the subject looking for the digital screen.

It took me a long time to convert to digital, and only now do I realise how much I take it for granted. The ability to instantly see your results, correct and alter accordingly, is what helped me to take to digital so quickly.

So imagine, children who have never seen film cameras before; children who have no comprehension of how their photos come out of the camera onto paper. Their assignment, was in their appointed job roles, create a storyboard for a television programme. Read More→

Think More, Shoot Less: by William Petruzzo

I think that photography as an art has taken a pretty big hit since the widespread acceptance of digital cameras. Hipstematic takes an arbitrary picture of a coffee cup taken with an iPhone and turns it into “art”. Bigger memory cards mean there is less and less risk in pressing that shutter button. Like never before, “art” in photography is largely an accident. But is it art at all? I think not.

I define art, not by what is produced, but by what the artist’s mind was doing when it was produced. By that definition, art must be intentional. You cannot simply fire off 10,000 pictures to find those 2 works of “art”. What you found wouldn’t be art at all, it would be a series interesting coincidences. Think about it this way—imagine that you could record everything your eye sees in brilliant high definition and at any point, pull out a single frame and publish it to Flickr. You probably wouldn’t consider that art. Yet this is often what digital photographers do. They point their camera in a thousand directions and find a few images that are interesting enough to share. Anyone can do that.

So, as digital photographers, how do we find our status as an artist? I submit that we find that status by learning to be intentional; by making calculated decisions about the things we photograph; by refusing to press the shutter down before we’re sure that what we’re about it capture is what we intend to capture.

Now, before I move on, let me interject briefly. Photography has a great history of accidentally capturing incredible moments. In fact, some of history’s iconic photos were total accidents.  And that’s okay. Because at that time in history, skilled photographers routinely and intentionally captured beautiful images. And sometimes, they caught beautiful accidents. But it was the exception, not the rule. And that’s part of what made those photos so remarkable. Today, it’s often the other way around. So, while there is a place for incredible coincidences in photography, as photographers we should once again aim to make them the exception, not the rule.

So, in the interest of learning to become true artists, here are six techniques to stretch our intentionality in the creation of our images and heighten the artistic integrity of our work. It’s all about thinking more, and shooting less. Read More→

2011 WPPI Coverage – Kodak Professional

Kodak LogoKodak Portra 160 filmI had the chance to meet with Scott DiSabato, Marketing Manager from Kodak Professional, at the 2011 WPPI Trade show and Convention, to talk about their new Portra 160 color negative film.

The new Portra 160 film features a significantly finer grain structure for improved scanning and enlargement capability in today’s workflow. Portra 160 delivers exceptionally smooth and natural skin tone and is the ideal choice for portrait, fashion and commercial photography.

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Making your first HD DSLR Video – Part I – Training

One of the things you have to consider when attempting to create your first HD DSLR video is knowledge. What do you need to know and where can I find that knowledge? Well, to summarize why I’m even asking, let me give you the premise for this series.

It’s been more than two years now since the release of the Canon 5D Mark II and Vincent Laforet’s film Reverie, which really blew everyone’s doors off. For some, the camera was the greatest thing to hit their lives and they ran with it. This series is for the rest of us who bought these cameras and did little if anything with their film-making capabilities.

I know that I had all these grand ideas about what I would shoot when I just figured out how to use it. The more people I interviewed about it for the LensFlare 35 podcasts, the more daunting it became for me personally. I quickly found out that all the settings I had used to capture those first video segments were ‘wrong’. Then, I started hearing about all this extra gear I needed just to shoot video, THEN it was the fact that I needed assistants, had to change out the type of lighting I owned, had to ‘think’ like a film-maker and storyboard everything out first; I needed a more powerful computer AND expensive software to edit it and…did I mention audio? How important it is to have the correct gear, how to record it, how to sync, it, and on and on. Read More→

Everything You Ever Wanted To Know About The Holga


The Holga is a medium format 120 film toy camera, made in China, known for its low-fidelity aesthetic. The Holga’s low-cost construction and simple meniscus lens often yields pictures that display vignetting, blur, light leaks, and other distortions. The camera’s limitations have brought it a cult following among some photographers, and Holga photos have won awards and competitions in art and news photography.
–Wikipedia

Back in the days before I had the money to invest in a high-end digital SLR camera, I would spend long nights, sometimes hours at a time in the darkroom, developing that days film. I was addicted to 35 mm film, especially black and white. I clearly remember reading about the Holga on the Internet, and I just had to have one.

About The Holga

For those of you who may not be familiar with the Holga camera, it is marketed as a toy, but for those who have ever taken photographs with one, it is anything but a toy. The Holga camera uses 120 mm film, which is many times larger than the common 35 mm film that is most popular in the United States, and instead of having around 30 exposures per roll with 35 mm film, the Holga’s 120 mm film yields between 12 and 14 exposures per roll.

120 mm film can be hard to obtain, especially for a beginner. Amazon.com has become the quintessential supplier for such film, and for those who develop their own film and prints, Amazon.com has quite arguably the best selection around. Developing 120 film can be expensive if sent to a commercial film processor; I was lucky enough to have access to a home darkroom, however the cost of the chemicals (which require special disposal) and time required to process the negatives and print the photos can be intimidating. On a side note, color film is also available, and can be processed in black and white chemicals, which of course, results in black and white negatives.

When the film is developed, the photographer should expect to see light leaks, soft focus around the edges, and unpredictable and sometimes interesting effects. The entire camera is made of plastic, including the lens. There is no zoom lens, and focusing is done on a haphazard scale that can only be moderately accurate at best if the camera is paired with an experienced user. What is most striking about the Holga is that each one is unique, and no two cameras are alike; almost as if the cameras had their own individual identities, every Holga will have its own signature light leaks and eccentricities.

Specs and Details

It should be noted that the original Holga 120 has no flash, but one can be added since there is a hot shoe; some newer models have build-in flashes. The Holga I had was the original 120, though I was able to modify it to use 35 mm film. Also, there is no automatic film advance, so each time a picture is taken, the photographer must turn a wheel to advance the film. I made several other modifications to the camera, such as adding electrical tape to cut down on some of the light leaks, adding a bolt to the underside so that it could be used with a tripod, and finally, painting it bright yellow. None of these modifications are recommended, however. Thankfully, today there are Holgas made out of a variety of different colors of plastic, and some even manufactured to accept 35 mm film and mount on a tripod.

Examples

The following photos were found in the Flickr Group called Holga, which at the time of this writing, was the largest Flickr group about this subject.

Holga Holga holga_07 06440007

You may also be interested in my article Secrets of Lo-Fi Photography.