Archive for Make Better Photographs – Page 29

Planning Your First Urban Exploration Photographic Adventure

Most of the abandoned places and things I’ve explored and photographed have been discovered by sheer happenstance. There are, however, a handful of situations where I had to pre-plan my photographic exploits. In previous posts I have talked about things like getting permission, and safety concerns, but in this post I will focus on research methods and more specific equipment-related concerns you will need to consider prior to heading out on your journey.

Forgotten Hats

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Tying The Knot: Introducing Milton Gan, Wedding Photographer

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Hey there, I’m Milton and I’m a wedding photographer based in beautiful Bondi Beach in Sydney, Australia. I also shoot babies in my spare time (will that ever sound correct?!).

I never intended to become a photographer, so you’re not about to hear about how I picked up my first camera at 9 months and was processing my own film by the time I was two.

I also used to hate weddings to be honest. But bear in mind that I was born in the 70s – yeah you know what I’m talking about! Bad outfits, bad haircuts, and bad photos!

The 80s weren’t much better but then came the 90s and one particular film which changed my perception of tying the knot: Four Weddings And A Funeral. Read More→

Photography 101: Three Tips for Shooting in the Dark Without a Tripod

Shooting in the dark not only brings its own set of unique challenges for the photographer, but the final results of these challenges can be extremely pleasing to look at. Slower shutter speeds due to low light bring on great light-trails, light painting, creative subject lighting techniques, and so much more.

However, having a sturdy tripod is key to many of these techniques. So what do you do if you do not have a tripod on hand to shoot in a low light situation? A few ways to rectify this situation include:

1. Crank up the ISO on your camera. Turning up the ISO on your camera is the first thing you can do to compensate for the lack of light. Bumping up the ISO setting allows your camera sensor to take in more of the available light, thus allowing for faster shutter speeds and smaller apertures. This makes it easier to reduce, if not eliminate, all signs of camera shake in your end photos.

Turning this setting up does come with a bit of caution. The higher you set your ISO, the more noise you will end up with. Cameras continue to get better at reducing the amount of noise at high ISO settings, but it is not perfect. This is particularly noticeable if you are producing an HDR image as the graininess really comes out when you stack multiple exposures. Do some test shots to see what acceptable ISO levels you have on your camera.

If you want that extra bit of light, try opening up your aperture a bit. This may give you a shallower depth of field, but it can sometimes mean the difference in upping your ISO setting just one more notch. This is a preference that you can only determine through testing various combinations and evaluating the end results. Read More→

3 Ways of Connecting with Your Subject

We just returned from our 2011 senior portrait conference (spa) in Palm Springs California. We had our 3rd model winner in a row from across the country and she won the Top Model award! We are so proud of Kristen!

2011 Senior, Kristen

There were some great images out at spa but this year I “observed” a lot more than I have in the past. We followed Kristen and her mom around on day #3 of spa where she has session with other photographers to see them work and teach.

One of the things that spa celebrates is the best of the best in high school senior photography. And the best of the best senior photographers are all there. A consistent theme that I saw with these photographers was the “connection” they made with the subject, the speed at which they connected with them, and the ease in which they did so. This, of course, translated to a an incredible experience for all the seniors chosen to attend, the photographers, and allowed for some gorgeous images to be created. Read More→

50 Bizarre and Abandoned Things I’ve Photographed

Creepy Dolls Study (5 of 5) Costumes Of Yesteryear Houck's Stripping (2) Bathtub of Debris (2) Broken Home (2-1) The End Of The Road Forgotten Farm Empty House 1 - 18 Empty House 1 - 16 Desk & Chairs Abandoned Hydro Plant 2 Number 3633 Abandoned Shack Forgotten Abandoned Supermarket The Life They Let Slip Away Burn Out Oh Shit! Sink Broken Pyromania The Wait Is Forever Old Phone Abandoned Train Depot - Full View Under Pressure Junked Train Cars Panorama Abandoned Chicken Farm Tiny Abandoned House The Woods Are Not Scary Hogback Ski Area (2) Abandoned Farm Abandoned Sunoco Gas Station (3) Abandoned Fire Extinguisher In The Woods Red Apple Rest (13) Rockland Drive-In (3) Abandoned Gas Station Along NY-147 (2) Locomotive Graveyard (8) Dead Crane Truck (2) Dead Locomotive Closed Store Abandoned Ford Truck (2) Abandoned Bucket (2) Old Suitcase Abandoned Industrial Mine (1) ESP (29) Abandoned Farmhouse, Burned (10) Railroad To Hell Farmhouse dummy2 Underground Flood

Recently I had a good long look through some of my grunge photos spanning several years of photographic dedication. Of all the strange, creepy, and off-the-wall places I’ve wandered into for the purposes of taking photographs, one thing remains the same; for whatever reason, I almost always come across some unusual, unexpected, and sometimes even bizarre discoveries. The photos I’ve selected are just a small portion of what I have on Flickr, but they are what I consider to be some of the best examples of unique and unusual discoveries. Read More→

Scenic Outlook – Shoot for the Clouds

“What a beautiful day, not a cloud in the sky!” To most people this phrase means good things, but when I have my camera in hand, it’s actually just the opposite.  As landscape photographers, there are many elements of a scene we look for when composing a shot. Typically the first things we analyze when shooting a landscape are the foreground and background elements, but often times we overlook what’s above our heads. It’s easy to dismiss clouds as another piece to your landscape puzzle, but if you pay special attention to the fluffy white stuff, your images can take that next step. I’m going to touch on why you should start paying more attention to clouds and break down some techniques on making them work for you.

Blue is boring
Start thinking of landscape images with three equally weighted segments: foreground, background and sky. Your goal should be to have each segment of the frame adding interest to your image. As your viewer’s eye travels up or down the photograph, don’t let it stop abruptly with a featureless blue sky. Sure, sometimes there’s nothing you can do about it (ie, you’re on vacation), but when shooting near your home, get that camera out when the sky has some character. It’s perfectly fine returning to a favorite spot or capturing the same scene more than once. Adding clouds to a previously similar image can dramatically improve your shot.

I’ve headed back to this same spot at my local beach multiple times. I was rewarded during my last visit with an impressive cloud filled sky which put previous boring sky shots to shame.

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